ATTEMPT上海空间，概念：“渠”

项目背景：该项目位于上海吴康大厦对面，是梧桐树老路旁的一栋老房子。它由7个空间组成，并且时间呼吸强烈。这是一座室内外建筑物近200平方米的老街民居，在上海建成了一个商业空间项目。空间的基本功能是武汉的尝试品牌。我们希望在上海拥有一个明确的交流平台，该平台可以与多种品牌行为联系起来：办公室，品牌活动，商店，展览，表演和聚会。在空间功能方面，计划有院子，办公室，储藏室，试衣间，卫生间，衣物展示空间等。

挑战：如何保留一个带院子的老建筑的气息，并更新ATTEMPT的品牌状态：时尚国潮品牌的属性，冷峻的形象；靠近ATTEMPT品牌基调，老宅的商业化新形态，尝试，然后以一个全新的概念去塑造和呈现，并连接空间的整体，同时又和周边的环境融合。

挑战：如何保留带有庭院的老建筑的风味并介绍其品牌尝试：时尚，酷炫的品牌属性；贴近尝试品牌的语气和旧房子的新商业化形式，尝试以新概念创建和展示它，将整个空间连接起来，同时与周围环境融合。

概念：“渠”

抬高院子60公分，形成院子和“渠”，“渠”的插入坐交流，“渠”在院子中向着室内第一室内继续抬高高公分，继续形成“渠”，多个继续形成落座， ，，空间一圈形成服装展示区。“渠”继续向右的内第二室内推进，整个下凹，渠体扩大，相互成为护墙板，与三个楼梯连接。第二室内整体成为装置。交流和展示交融。

“渠”的整体就是一个金属固件，在每一个空间分隔处，犹豫不决，最后一次地埋由老院，混泥土地面，白墙，不锈钢墙体建造的空间内。

一切就在谨慎的60公分以下，开始...

人们，“渠”，场所。

抬高院子60厘米，以朴素的工业感材料，靠近门口红色老瓷砖的颜色，材质选择了耐候铁板，细节造型方格焊接，联通室内空间和院子的整体，从而改变人们基本的行走的方式，起伏和穿透一起嵌入了室内空间和院子的整体；

第一室内空间保留了原来的吊顶，仅增加了最基础的日光灯，院子和室内最大的空间的墙面以防指纹不锈钢铺贴，其他地方都是白墙，

第二室内空间白墙的下方用铁板一体的护墙，与短楼梯的铁板连成一气，这里保留里面的玻璃砖；玻璃砖，铁板连体，白墙，和空间的上下纵深-形成更具有时间气息的空间形态。

融合的对比：在这里其实是对时间性的融合和对品牌多元化行为的融合，是一直在的。而“对比”也是相反的存在：因为时尚潮牌的属性。

一，首先是对比：用不锈钢的新，与建筑物的时间感作对比；整体形成是对比的存在：不锈钢的质感，被干扰后的起伏变化的行动路线，ATTEMPT年轻时尚的品牌属性，产品及插入到空间中的人群；二，与融合时间性图像：用耐候铁板和带细石子颗粒的水泥，与户外老红色户外地砖和建筑物屋檐装饰瓷砖协调，和建筑物及法国梧桐树的时间感协调；

老街墙体，老建筑表面，法国梧桐树，室内老玻璃砖，年代感的第一室内空间吊顶，看似老旧的耐候铁板，现代感的不锈钢，一起形成新的“渠”的场所。各种感知按需而入，新和旧可以整体，也可以相互分隔，选择某个角度的视角，独立的存在。

这就是对比性融合。

该项目核心“渠”为概念，以“ 60厘米以下”这样的方式，重叠了对比与融合，尝试从视觉形态和功能使用上，为带院子的上海小型老建筑住宅空间的商业使用改造上提供一种式样。

该项目的核心概念是“运河”。该项目以“小于60厘米”的方式重叠对比和融合，并试图从视觉形式和功能使用的角度为上海带有庭院的小型老建筑的商业使用和改造提供一种风格。

项目：ATTEMPT上海空间

客户：ATTEMPT

设计：上海啊嗯建筑设计事务所

项目类型：旧建筑住宅空间商业改造项目

地址：上海余庆路5号项目

面积：约200平方米

时间：2019年11月

摄影：温工作室

施工图纸：杭州术野建筑设计有限公司，啊嗯设计

工程施工：杭州久义

第一道具道具制作单位：杭州久义

学生宿舍

陈述：条形体块带入整个空间。

statement：The strip-shaped body is brought into the whole space.

BLANK，位于上海新天地，是一个Z字形的两层沿街商铺；它是一个以服装零售为主的综合空间，陈列全球范围内独立设计师的作品，同时具备酒吧、就餐、派对、展览，秀场，音乐演出等功能。

BLANK is located in Shanghai Xintiandi and is a Z - shaped two-story shop along the street. It is a comprehensive space dominated by clothing retailing, displaying the works of independent designers around the world. at the same time, it has the functions of bar, dining, party, exhibition, show, music performance and so on.

BLANK，有上下两层，二楼空间被一条Shopingmall通道分穿过；Blank买手店店铺原有的楼梯及一楼的厨房位置不能改变。

如何在这个空间内，涉及各个具体功能，实现流动的扩散的视觉形态，成为这一项目的挑战。

Blank has upper and lower floors, and the space on the second floor is divided by a ping mall channel. The original staircase and kitchen position on the first floor of the blank shop cannot be changed.

How to realize the visual form of flowing diffusion in this space, involving various specific functions, has become the challenge of this project.

在一楼，门口立面没有橱窗，整个玻璃立面的内部，直接被一个巨大的半月形条纹体块进行屏风式的遮挡，2米高的体块，将空间穿透，扩张；延伸到一个同样条形体块的弧形楼梯，将上下两层空间连接。一楼中间位置是一张水磨石长桌，有就餐和服饰陈列两种功能，浇筑的黄玻璃块镶嵌，黄玻璃一体成型，如宝石镶嵌，桌子以时间作为分隔，平时是陈列台，聚会的时候作为吧台或者餐桌。横穿半个空间的条形水吧，由水磨石酒吧台和铜制水吧台合成，黄铜打破黑色的沉闷；像使者的盔甲的局部。

1 Floor:There is no window on the facade of the door. the interior of the whole glass facade is directly screened by a huge half-moon stripe block. the 2 - meter - high block penetrates and expands the space. An arc staircase extending to the same block connects the upper and lower floors. In the middle of the first floor is a terrazzo long table, which has two functions of dining and clothing display. The poured yellow glass block is inlaid, and the yellow glass is integrally formed, such as gem inlaid，the table is divided by time. It is usually a display table and serves as a bar or table at parties. Bar water bar across half space, composed of terrazzo bar and copper bar, brass breaks the dull black color;  Like a part of an emissary's armor.

在二楼，随着带状圆形的楼梯，向上推动，曲线运动到二楼，圆形扶手边，再是一个扩散——弧形条纹体块的屏风，弧形体块的局部都有饰品陈列；弧形下的台阶也是条形的，上面也做部分陈列；继续扩散的是镀锌瓦楞板隔断，不让通道可以直接看透二楼的整个空间，瓦楞板隔断还包括了一个带移门的储物柜；异形的坐凳与收银台结合，具有陈列和收银及叠衣服的功能。

2 Floor:As the ribbon-shaped circular staircase is pushed upwards, the curve moves to the second floor, the circular armrest edge, and then there is a diffusion - arc-shaped striped block screen, and parts of the arc-shaped block are displayed with ornaments; The steps under the arc shape are also strip - shaped, and some of them are also displayed above. What continues to spread is the galvanized corrugated board partition, which does not allow the passage to directly see through the entire space on the second floor. The corrugated board partition also includes a locker with a sliding door. The special-shaped sitting stool is combined with the cash register and has the functions of displaying, cashing and folding clothes.

通道的对面，是储藏室和VIP试衣间，外立面由弧形的橱窗形成。橱窗的玻璃面和镀锌瓦楞板形成公共通道，或者夹道，保持分离和但又进行信息的连接。

Opposite the passage is the storeroom and VIP fitting room. the facade is formed by curved window. The glass surface of the window and the galvanized corrugated board form a common channel, or passageway, to maintain separation and information connection.

整个空间由条形的体块，穿插、盘旋、拉升、扩散，这样的运动方式在最后以功能为理由，确切地静止。

The whole space is made up of strip-shaped body blocks, interspersed, circled, pulled up, and spread. this movement mode is definitely stationary at the end on the basis of function.

外婆家中餐厅

外婆家是中国著名的餐饮连锁品牌（旗下有众多子品牌）；杭州是其品牌发源地，外婆家中餐厅的口号是——我家就在西湖边，定位平价餐厅；外婆家餐厅国大店项目位于8楼。中餐厅一直给人们一种凝重的色彩，带着传统中式的视觉符号或者一种家常的方式。

"Grandma's Home" is a highly reputable restaurant chain that offers affordable cuisines in China. Originated in Hangzhou, the restaurant's slogan reads "Grandma's from Westlake". This new branch restaurant is located on the 8th floor of the shopping mall in GDA Plaza. Chinese restaurants tend to use dark color tones for its interior space design with a variety of traditional Chinese design symbols or homely style.

尝试如何与中餐厅的传统印象建立联系，并保持距离，以及更接近新的年轻的消费群体？我们试图通过“外婆家”背后纷杂的词语、图像意向，对一系列线索进行整理和表达，比如“外婆家”符号暗示的情结，中餐厅印象，以及具有江南地貌特色的口号的描述。

How to break through the stereotype impression of Chinese restaurants and bring it closer to the taste of the emerging young consumer groups? We look at the complex words, images and purposes behind "Grandma's Home" restaurant and explore to sort out and express a line of clues, e.g. the emotions implied by the symbol "grandmother's home", impression of Chinese restaurants, and its slogan which indicates unique landscape features of Jiangnan, the region south of the Yangtze River.

中国厨房庞大的系统在中餐厅空间的位置几乎具有唯一性，在厨房位置不可变的情况下，将空间割裂成两个就餐区，由一条狭长的通道连接，空间就像一条龙。我们要做的是让通道持续一种就餐气氛以及空间的体验感，以及解决日照西晒的功能需求。

The large kitchen occupies a unique spot in the restaurant, dividing the space into two dining areas that are connected by a narrow and long corridor. The whole space is shaped like a dragon. What we wanted to achieve is a continuation of the dining atmosphere into the corridor and spatial experience, while shading the area from the setting sun.

把所有的困难通过这条狭长的通道来解决并且延续；曲面的不锈钢吊顶隐藏了消防、喷淋、空调进出风、新风系统、灯光，以及日照西晒的遮阳功能；不锈钢进行雾化处理，让生冷的质感变的柔和。

All the challenges can be solved with the help of this long and narrow corridor. Curved stainless steel ceiling covers up and hides the fire equipment, sprinklers, air conditioning outlets, fresh air system and lights while providing shading function. We use stainless steel materials that have been treated with an atomization process, so that the cold metal texture becomes more soft.

厨房设置三个出菜口，手工打造的如水面涟漪般的镜面不锈钢造型；水滴坠落般吊灯；入口处倾斜造型的不锈钢仓库，反射和倾斜在视觉上放大了体验空间。

The kitchen has 3 pick-up areas. Hand-made mirror-like stainless surface mimics the shape of ripples on water while ceiling lamps hang as if water drops are falling. At the entrance, a tilted stainless steel warehouse amplifies the spatial experience with its reflection and slope.

整个空间就是一块镜面不锈钢，水面、水花、水滴，和水有关的大小叠加，与满目的水绿色水磨石，构成波光粼粼的“湖水荷叶” 江南印象。竹编的手工感肌理作为调和，斜挂的木框镜子是接近传统的一些痕迹。

The whole space is covered by a mirror of stainless steel with multiple water-related elements superimposed on each other: water surface, splash, droplets. Together with aqua green terrazzo, the restaurant creates a Jiangnan impression of "lotus leaves in a glistening lake". In addition, hand-plaited bamboo element adds harmony to the space, while tilted wooden-framed mirrors bring the relationship closer to some of the traditional symbols.

在同样高速发展的餐饮业，这个空间希望能让客人在平价餐厅感受到视觉的关怀和时尚度，在这里传承和更新进入对话。

In the fast-paced restaurant industry in China, it is our wish that diners could experience fashionable and unique attentiveness and care in this reputable and affordable restaurant chain. Inheritance and renewal hence enters the dialogue.

项目：Grandma's home  外婆家国大店

面积：400㎡

位置：中国，杭州

时间：2017.9

摄影：刘宇杰

Project: Grandma's Home at GDA Plaza

Area: 400㎡

Position:Hangzhou, China

Time:September, 2017

Photo by Yujie Liu

MR.MAIMAi 麦丘梵面包店测试（二）

项目：MR.MAIMAi麦丘梵面包店

属性：新的面包店铺类型、包含咖啡、西点

位置：中国，杭州

摄影：刘宇杰

Project: Ka Wah International store of MR.MAIMAi

Feature: a new type of bakery that offers coffee and desserts

Location: Hangzhou, China

Photo by Yujie Liu

这是MR.MAIMAi麦丘梵品牌的另一个空间，位于杭州一个写字楼的二楼，可乘坐户外扶梯到达。主要针对写字楼的上班族，在工作之余静享面包和咖啡，“休憩似乎是一种静态”。

对于一个60平米的周正的方形空间，我们希望用“动态的翻转的曲线”，对功能区域进行形式化。

我们在就餐区、通道做了相应的曲线设计，在不干扰通行的情况下，在人们活动的一侧或上方，导入那些动态的线条，设置“铜的1/4弧形和石材的1/4弧形”；

我们希望使用大理石来处理这些动态的线条，石材在曲面部分翻转之后产生一种“小落差的序列视觉”，整体空间动态静止。

在动态的大理石的边缘，用铜结构作为勾勒线，嵌入大理石体块中，利用铜的造型缝合这一种动态；并且与大理石柜台上的铜制垃圾桶和纸巾盒做组合。

柜台背景基本是一个平立的体块，同样用动态的线条，在这个体块上形成一种动态。

我们设置了铜管扶手，来区隔购买区和就餐区。落座工业复古的铜桌椅，和铜制公园长椅，客人就餐时，“入眼皆是风景”，享受安静与精致。

在材料上使用一种常规的搭配——大理石与黄铜组合，以及黑色石材。

大面积的黄铜吊顶，空调出风口用黄铜包裹，有一面整体的黑色石材墙体，和到腰线的1.3米墙体，其余保留原始的铝合金玻璃窗立面。

动态的体块填充整个空间，精致优雅，同时又描述了趣味和细节。

The new space of MR.MAIMAi bakery is located on the second floor of an office building in Hangzhou, accessible via an outdoor escalator. The bakery provides white-collar office workers with a place to enjoy bread and coffee on a busy work day. Taking a break can be seen as entering a tranquil state.

In this originally square space of 60 m2, we intend to apply dynamic and rolling curves that divide the space into several functional sections.

The curve design is used in the seating area and aisle space. Without interfering with the flow of customers, dynamic lines are incorporated into the space high up on the ceiling or to the side, in the shape of 1/4 arcs, made from brass or marble.

Here we use marble to form the dynamic lines. The curved surface area demonstrates a cascade of sequenced elements that makes the whole space dynamic yet static.   

The bottom edge of the dynamic marble design arc incorporates a brass structure that outlines the design and echoes its dynamic aspect with the brass trash can and tissue box on the marble counter. 

Behind the counter stands a flat block which also adopts moving lines to achieve a dynamic environment.

Brass handrails are used to separate the order section from the seating area. Customers may take a seat at the brass table and chair representing a vintage industrial style, or on the brass park bench, where they can take in all the nice views while enjoying a moment of tranquility and exquisiteness. 

For materials, we have followed the common combination of marble and brass as well as dark stone materials.

The ceiling is largely covered by brass, so is the air conditioner outlet. Inside the bakery, there is one whole wall and one wall of 1.3m high that are made of dark stone materials. The rest remains original with aluminum framed windows.   

Dynamic blocks fill the space with exquisiteness and elegance, while leaving many interesting details to explore.

完成：2017年1月

面积：60 m2

Completion: Jan.2017

Floor area: 60m2

MR.MAIMAi 麦丘梵面包店探索（一）

项目：MR.MAIMAi  麦丘梵面包店

属性：新的面包店铺类型、包含咖啡、西点

位置：中国，杭州

摄影：刘宇杰

Project: Kerry Centre store of MR.MAIMAi

Properties: a new type of the bakery, including coffee and desserts

Place:Hangzhou，China

Photographer:Yujie Liu

完成：2016年12月

面积：45㎡

Completion:Dec.2016

Area:45㎡

这是啊嗯设计公司为MR.MAIMAi麦丘梵在杭州新地标-嘉里中心设计的一个具有未来感的小空间。提拉、推伸的线性体块对空间进行包裹，巨大的倾斜面在不干扰功能的情况下，形成新的张力和景观。

在这个全部不锈钢打造的小空间里，存粹的质感成为体验的第一要素。人们迷失在大型购物中心里，这是一个与未来对话的休憩地。

AN design company designeda space which has the sense of the future for Mr. MAIMAi in Kerry Center, a newlandmark of Hangzhou. We pulled and pushed the linear block to wrap the wholespace up. The huge cant created a bran-new tension and landscape under theundisturbed circumstance.

The pure texturebecomes the most important element for people to experience the small stainlesssteel space. People can have a rest here and feel the futuristic when they lostin the shopping mall.

空间是半弧形开敞式的边厅，约45平米，不属于独立店铺。一侧的消防栓与承重柱体宽约2米，厚0.9米，倾斜插入顶部，正对大楼扶梯；空间的1/4被遮挡，固定在两个方向进出。

MR.MAIMAi设计的重点是在柱体的周边形成一种景观，对于柱体本身形成一种遮掩，对空间的表达没有那么直白。

The space is semi-arc,two sides of it is wide open, and it's about 45 square meter. It's not exactlya independent shop. The fire hydrant and load-bearing in one side is 2 meterswide and 0.9 meter long. The slant load-bearing stick in the top and facing theescalator directly. A quarter space is blocked, people have to pass the space bytwo fixed direction.

The key design pointsof MR.MAIMAi is to form a watching focus around the pillar. By covering thepillar to express the space implicitly.

特制的吧台设计在柱体的背后，伸展至整个空间，形成路径的迂回。面包蛋糕的单层玻璃盒体，截面采用黑色丝网印，让食物保持新鲜的同时，具有诱人的色泽。

The special counterhidden in the pillar extend to the whole space, developed a circuitous route.The section of the single-glass panetièrel adopted the black screen print tokeep the bread fresh and keep it's attractive color and lustre.

就餐区对外开敞，以课桌椅的形式排列，客人面向一个方向，增添就餐时的小趣味。

柱体侧面的V型复制，墙面采用直面和斜面的弱交错，所有的语言是利落的，直线条的，所有的直线条又是连续的，变化的。

The dining area istotally open and arranges like the school desk. All the guest face onedirection, to keep the process of dining full of interest. 

The side of thepillar likes a V-shape. Thus, the wall is made by the upright and cant. All theexpression is neat and straight, at the same time, all the straight line is continuousand metabolic.

MR.MAIMAi的空间只使用了一种材质-拉丝不锈钢；灯光隐藏在结构里，局部用亚克力覆盖光源，让不锈钢产生柔和的光泽。

The whole space of MR.MAIMAiused the Brushed stainless steel only. The main light hidden in theconstruction and the light source covered by acrylic made the Brushed stainlesssteel possess a gentle luster.

Project: The reading room of BaiTaling art school

Completion:to be continue

Place:Zhuantang Hangzhou

Area:150㎡

Client: Hangzhou BaiTaling art school

项目：白塔岭艺术学校的阅览室

完成：敬请期待

位置：杭州转塘

面积：150㎡

客户：杭州白塔岭艺术学校

Project: The reception office of BaiTaling art school

Completion:Sep.2016

Place:Zhuantang Hangzhou

Area:20㎡

Client: Hangzhou BaiTaling art school

Photographer:Yujie Liu

the path in the reception office

The relationship between the path and the space.

The reception office is a narrow path which connects a door to another.

"Pathway is pragmatic."

"Let the pathway be part of the space.IT could be poetic."

Our design focus on the external of the building. Strictly speaking,the external part is a path,and the internal structure is just like the traditional reception office.

Pedeatrians have to take the reception office's path to reach the school. This is the basic route the school excepted us to design. And there is a staff restroom besides the building.

We redesigned the path which was wrapped and elongated. And finally,they consist of the new reception office.

The wrapped space becomes the architectural space,it can interact with light,rain and air. We want to increase some more details by the narrow and exposing some structure. And we designed some details with a complex and mechanical sense in the entrance. It's antique and mechanical.

The materials we use were aluminum,copper and concrete. The surface is still in the trial testing stage.It will present a oxidation effect with the traces of polishing.

The project presents a sence of future with retro and blue.

传达室的通道

项目：白塔岭艺术学校的传达室

完成：2016年9月

位置：杭州转塘

面积：20㎡

客户：杭州白塔岭艺术学校

摄影：刘宇杰

路径和空间的关系

传达室是一个单通道出入口，管理着一个门到另外一个门

"路径，是个实用主义者"

"过的路径形成空间，也许会是诗意"

我们重点做了传达室的外部，它的外部严格意义上讲是个通道，里面的部分是传统传达室结构形态。行人必须以这样的路径，绕进传达室，进入学校。这个是校方给到的一个基本线路，边上是一个值班人员宿舍。

我们对路径进行了重新设计，并对路径进行了拉长和包裹，形成现在的空间；

包裹的空间形态成为建筑空间，它可以从各个角度的口子和天光、雨水、空气发生关系。一条狭长的通道，部分结构装饰性外露，以此来增加细节。在入口处做了一些复杂的略带机械感的设计，带有复古机械的意味。

材料是铝板、铜、水泥，表面目前处于测试阶段，最后会呈现出氧化和打磨的效果。

 是一种复古、忧郁的未来感。

空间设计是撰写的

划分就是连接

路径是个实用主义者，

过的路径形成空间，也许会是诗意；

Design is writing.

Pathway is pragmatic.Let the pathway be part of the space.IT could be poetic.

I redesign the dividing pathway so it connects with the whole space

It does not disrupt the space.

I create a square in a square tu form a new space layout.

黑色斜面系统相当于一首诗歌，以文字的方式运动，干扰和重组空间，我们称之为“诗歌的物理运动”

通过黑色，黑色的通过，呈现一种忧郁的未来的禅意。

Blank cant system,Like a poem,its movement brings energy to reshape the space.We call it physical movement of poems.It is a black crossing,through black.A melancholy and futuristic sense of zen.

我们以加粗劃分線的方式解决空間被一分為二的狀態，用黑色的巨大斜面和加粗线，獲得一個连续的整体空间.如果把斜面体进行拆分，它其实是一个复合了试衣间、饰品区、储藏室、柱体的一个综合形态，以景观方式呈现在时装店内部。

Division is connection,it's bold and sloped.Instead of dividing the space into two,I use the slope as division.To create a whole and complete space.To divide but zlso to connect.

A black box at the centre of the shop contains a variety of functions. The black box marks the location of a staircase, which leads up through a "wedge-shaped" volume to connect the two floors.

我们认为HEIKE是服装设计师“老黑”自身行为的个体实验，我们希望做到对独立设计师店铺进行其他可能性的探索。在中國杭州，以HEIKE為載體，模糊服裝店功能，形成藝術、音樂、展覽空間；嘗試利用商業途徑，探討關於獨立與自由的空間形態。

HEIKE is a test of the fashion designer –Laohei .We try to explore possibilities of a independent designer store. In Hangzhou,HEIKE is more than a fashion store.It creates a space for art,music and exhibition.We try to explore a form of space that is independent and free.

HEIKE坐落在杭州的一家傢俱店二樓，只能通過一個狹窄的樓梯；黑色的整體空間和黑色的時裝，讓氣氛顯得憂鬱而未來。原始混泥土結構，三面落地玻璃，讓光線自然的融入。

一個巨大的黑色斜面體塊架在錐形柱上，集合各種功能空間：試衣間、儲藏室、展示區、樓梯通道、扶手等，占總面積50%；

鐵質肌理和焊接痕迹的通道及道具，不銹鋼的扇形扶手和飾品區的凹凸立面，保留手工打磨痕迹；

單獨設計的鋁制吊燈，抛物線衣架和三角形背光板，有一种手工的未來感。

AN’s glum interior design for fashion brand Heike hidden in the shadows.Hidden in a furniture store, Heike fashion concept store locates on the second floor.Staircase in the middle of the store leads to a huge black wedge block at the top of it, which is also a collection of various functional spaces: fitting room, storage room, exhibition area, staircases, handrails. This wedge is made from marble powder, which covers fifty percent of the store area. It retained iron texture and welding traces on the channel and props. Hand grinding stainless steel handrails and geometrical elevation accessories sector, unique design of aluminum chandeliers and distinct parabolic racks and triangle racks, all of these elements demonstrate the industrial quality via workmanship and its futuristic melancholy atmosphere.

完成時間：2015.10

業主：老黑服裝設計工作室

項目地址：濱江區濱盛路4309號，中國杭州

面積：200平米左右

Date project completed：2015.10

Industry: Laohei fashion design studio

Address: Binjiang District Binsheng road 4309 , Hangzhou,China

Area: 200 square meters or so

Space raw material: concrete

Photograph: Yujie Liu & Jianzhou Wang

空間原始材質：清水混泥土

攝影：劉宇傑、王建周

Project: ptime flagship store
Add: Hangzhou West Lake Tiandi
Area: 200 square meters
Completion: 2014.10

项目：品甜工坊 旗舰店

地址：杭州  西湖天地

面积：200㎡

完成：2014年10月

ANWHAT烟缸——烟缸设计师在底部沦陷的全过程“从干掉那个底部开始”
 

Anwhat烟缸：

设置一个并不常规的厚度，达到一定的分量感，利用烟缸的自重，单手拿烟在烟缸的内壁灭烟，并不移动烟缸的基本物理位置；实现这样一个标准：轻松捕捉一个角度单手灭烟，解放那个时间的另一只手，随性的翻阅或致幻的举杯，改变使用这个尺度烟缸时，双手灭烟的习惯.必须的必——必须干掉那个平滑的底部，在我与烟缸的日常冲突中截取设计，挖出底部的三个凹凸，由暴力完成这个三维物体的平和。烟缸的空间体验，是手势，动作、和如何自然介入思考，也可能是50cm距离处对烟缸的凝视，触摸时的细节，偶而揉洗，用白色纸巾擦拭水迹时，感受底部缺失的变化，以及物理轻重的微弱心理落差。不适，稍显过分的重量，遭遇功能难以自圆其说的设计书写，这样的冲突——由烟者自己来体验，思考，消解！

烟缸 尼采-01接近4斤的实心黄铜柱体整体制作，没有任何 焊接R=35mm, h=73-75mm，铜、铝材、不锈钢、紫铜